Du Barry Patterns 1930s Cape Dress

Have you had a sewing pattern in your stash for a few years, just waiting to be made? Du Barry 1230B for me is one such pattern, and today I share my experiences (and incorrect preconceptions) of sewing this dress.

Back in this post, I shared my forthcoming sewing plans. Usually I make sewing plans, then only adhere to them in a rather vague sort of way. For example, I may plan to make a dress, but then get distracted by 1). A sewing pattern I had newly discovered and feel like I have to make it right now 2). Seeing blogger reviews on other sewing patterns, which then makes me feel that I need that particular item in my closet above all my other sewing plans and intentions 3). Getting my eager little paws on some fabric to add to my embarrassingly large hoard, and excitedly prioritising makes with that instead.

So as you can see, I can get side-tracked pretty easily. But, I adhered to my plans and made this dress as I had both planned and hoped. I think in part, that this was actually due to writing and publishing my aforementioned blog post – having my plans in writing somehow made me stick to them more so than I may have otherwise.

I purchased this reproduction early 1930s pattern a few years ago, around the time when I had only just started sewing with original vintage patterns. I remember when I bought it feeling a bit daunted by the design features (which goes to show how far I have come in both my confidence with sewing, and my actual sewing experience/abilities). In fact, when it arrived I put it to one side and didn’t really pay it much attention – until a few weeks ago. I must confess, I was deterred from making the pattern because I really hate sewing buttonholes. My experience with buttonholes has always been hellish, but recently my sewing machine & I have reached an understanding, and he now plays nicely when I want him to sew the aforementioned item of dread. Now that I had reached a stage where I am happy to sew buttonholes, I decided to re-visit this pattern.

But – the joke of it is – this pattern doesn’t require any buttonholes! So all that time I had been putting-off making this dress because of my irrational fear of buttonholes, when there wasn’t even any buttonholes to sew anyway! All the buttons are for ‘show’ only, none of them actually work as a fastening.

In fact, reading through the scant instructions revealed that the dress is constructed in a manner which at first glance, seems quite bizarre. The CF is sewn with the wrong sides together, down to just before the pleat at the skirt. So the inside has a neat seam, whilst the outside has the unfinished edges. Then, the placket is pinned into place to cover the seam edges on the outside. But – the placket is only stitched up to the neck on one side only. The other side is open from the neck to about 3.5inches down to allow for a placket facing to be applied. Onto which poppers are stitched to form a neck opening. There is also an opening at the left hand side of the dress – with the instructions calling for a popper placket. I however, decided to insert an invisible zipper – not authentic, but neater, quicker and easier. For the cape, I firstly finished the edges, using a light gathering stitch to ease in the seam allowances. I then stitched to the bodice with the right sides of the cape matching the wrong sides of the bodice; so the seam allowances were all underneath the cape. To finish, I understitched the bodice and the seam allowances together. This gave a neat inside finish to the neckline.

For the armholes, I used bias binding turned to the inside and slip-stitched. I added machine sewn button loops at the waist side seams in order to keep the belt where I wanted it. Now – onto the buttons and belt. I discovered Harlequin a few months ago when I was looking for a company to make some things for me, for my wedding dress. Their communication, customer service, and the swiftness of dispatch were all absolutely top notch. I was so impressed, that they would always be top of my list should I require any custom made haberdashery items. Naturally, Harlequin were the people I turned to for these buttons and matching custom belt.

Admittedly, it took me a little while to decide on what type of belt buckle, the width of the belt, and which style of buttons I wanted. They have so much choice, and I was pretty tempted to go for triangular buttons – so art deco! I really love how the buttons and belt enhance the dress, and even though I thought contrasting buttons may have been a nice visual touch, I knew I wanted to keep the whole dress one colour and one fabric. That way, the dress can act as the perfect canvas for choosing various coloured and patterned accessories – as I did so here.

Outfit Details

  • Dress Pattern – Du Barry 1230B from the Vintage Pattern Shop
  • Fabric – Yellow linen from London
  • Belt & Buttons made in my own fabric – Harlequin
  • Scarf – Silk Celia Birtwell (purchased years ago)
  • Shoes – Hotter (no longer available in this particular colour)

Concluding Thoughts

This dress is the perfect example of – read the instructions carefully in order to have an accurate idea of the construction and techniques required. I can’t believe I spent years thinking this dress had oodles of buttonholes, when in fact it doesn’t have a single one! I really love the fit and shape of the skirt – much to my surprise. When I made my toile, I fully expected to want to shorten the skirt, but I found I actually really liked this longer length. Skirts in the early years of the 1930s were around mid-calf to calf length, so in that way the length makes it even more authentic. I may sew some swing catches to the cape, as it did tend to fly up around my face in gusts of wind! Overall, I am really happy with this dress, and I most likely would make it again.

So that is an item ticked-off my sewing list, and of course an eligible Vintage Pledge item, hurrah! The next garment I am working on is another 1930s dress, and after that I feel a Merchant & Mills make coming on.

Have you ever been put-off a sewing pattern at the thought of some of the techniques required – only to discover that the imagined techniques are not actually required? (I fear perhaps it is just me, but I know I won’t make that mistake again! Haa ha!)

Until next time dears!

11 thoughts on “Du Barry Patterns 1930s Cape Dress

  1. Acraftteacuppa says:

    Beautiful dress! I do love a Du Barry! What did you think of the re-production pattern though? I’ve only ever purchased one and I can’t say as I would do it again personally. The money they wanted compared to the quality I got was not impressive at all!

    I also learnt quite quickly to do as the pattern says! I’ve often thought a method could be improved upon or made more simple and then had to unpick it all again lol

    I just love the terminology too… You don’t often ‘ease in a trifle’ on modern day patterns lmao


  2. Anna says:

    I love this dress; I’m more a fan of the 1940’s myself, but this is beautiful. Can I ask where you get your reproduction patterns from, though? I found a wonderful Vintage Pattern Database, but unfortunately it doesn’t offer printing. I’d love to know of any that do!

  3. Porcelina says:

    What a superb job you did! The colour is so cheery, and the cape such a fun detail. U have had the opposite problem with not reading patterns – I think it looks easy then find out halfway through that it requires some fancy technique!! X

  4. Jenny Frances says:

    Hi Lainey, as far as working with the pattern, it all went fine. I do know what you mean about the quality of the reproduction though – there are other companies out there who produce more professional looking pattern reproductions. But – all the pieces were there, along with the pattern artwork and original instructions, so I am happy to buy patterns from this company over & over. Sometimes I ‘go rogue’ and do my own thing with regards to the pattern instructions, but I also like to fully understand why the instructions state to sew something a particular way too. And terminology on original patterns is great! I love when a pattern says – finish with novelty bias – ahhhh, so cute!

  5. Jenny Frances says:

    Hi Anna,
    There are a few places to buy patterns:
    For genuine reproduction patterns (which are straight-up traces of the originals, not altered or modified – as far as I can tell): The Vintage Pattern Shop on eBay (which is where I got this particular pattern from) http://stores.ebay.co.uk/The-Vintage-Pattern-Shop
    Lady Marlowe Patterns on Etsy – really excellent quality, clear & concise https://www.etsy.com/uk/shop/LadyMarlowePatterns
    Eva Dress Patterns https://www.evadress.com/
    For modern day pattern designers that produce patterns inspired by originals:
    Decades of Style https://www.decadesofstyle.com/
    Til the Sun Goes Down http://www.tilthesungoesdown.com/category/patterns+and+treasures/

    I’m sure there are many others, but these ones are all companies I have tried myself and would recommend. Hope that helps! xx

  6. Jenny Frances says:

    Hi Colette, yellow is my absolute favourite colour, and when I realised I didn’t own a yellow dress – I HAD to make one immediately! Even though I have finally got over my fear of buttonholes, it was still a little relief to discover that I didn’t need to do any on this dress! 🙂

  7. Jenny Frances says:

    Hi Porcelina, thank you so much! I was definitely grateful for the cape when I wore this dress, as the sun was rather scorching and I most likely would have got sunburnt shoulders otherwise!
    Some patterns are definitely deceptive – sometimes they look easy, but turn out to be more complicated than first imagined. Or, sometimes the opposite can occur – which is always a nice little surprise! xx

  8. Anna says:

    Oh gosh, that’s so many more than I expected. Thank you so much for taking the time to answer and provide links!

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