The Vintage Pledge 2017

Even though the Vintage Pledge officially commences in January, of course I am again late to the party.  In this post I talk about my sewing plans for the remainder of the year ahead, including my participation in the Vintage Pledge for my second year.

Last year, I participated in the Vintage Pledge for the very first time. Well, I enjoyed it so much, that I have decided to do it all again this year! Although last year I didn’t make it as a winner across any of the categories, I did make it as a finalist in two out of six of the categories – Tops, and Bottoms. Of course, to be honest I didn’t take part to win anything, and even to be named a finalist was truly amazing and gave my heart a warm fuzzy glow of pride.

Last year, according to calculations in my sewing recap post, I made 9 garments that were eligible to count towards my vintage pledge. This year may be a little different. Whilst I usually make a few garments in my spare time throughout the year, these garments are normally relatively small-scale makes. When I say small-scale, I mean in comparison to making a wedding dress..

As some of you readers know, I am getting married in September. As soon as Kieren & I got engaged, I knew straight away that I would want to make my wedding dress. So, this year my vintage pledge is going to be small in terms of numbers of garments – but incredibly large in terms of work involved, emotional investment and ‘wow factor’.

Obviously, I am keeping my dress a surprise (I even have a sign  for my office/studio door to warn Kieren not to enter when I am working on it!). So, there will be no sneak peeps or posts on the making or progress of my dress until after September.

So, to surmise, my official #vintagepledge for 2017 is: I, Jenny, pledge to make my wedding dress using a 1930s sewing pattern.

For the moment, I think it is best if I keep my vintage pledge short and sweet. I may of course sew garments throughout the year using vintage patterns, and if I do of course I will add these to the dedicated Pinterest Vintage Pledge board. But I don’t want to pledge to make numerous items if I know I may not have the inclination or time to produce these.

For more information on the Vintage Pledge (and to take part!) visit Marie’s blog A Stitching Odyssey here.

Are you taking part in the Vintage Pledge this year? Have you taken part in previous years?

Until next time dears!

 

Reconstructing History Sewing Pattern Review 1304

Today’s post features a dress I made using the Reconstructing History 1304 sewing pattern. Reconstructing History are an American based sewing pattern company, specialising in reproducing historical patterns.

The sheer range of sewing patterns available on the Reconstructing History website is quite astonishing. Reconstructing History offer a broad range of styles, periods and genres, from the fourteenth century right through to the late 1940s. As part of my writing work for Vintage Dancer, I was asked if I would like to review a Reconstructing History pattern of my choosing. Although I was tempted by this Regency Riding outfit, and this 1910s Walking Suit, the pattern that won my heart was the 1304 Day Dress and Jacket from 1933.

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The pattern itself was fairly difficult to work with, due to both the design details of this particular style, and the pattern itself.

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This was my first experience of using a Reconstructing History pattern, so the review contains my experiences and thoughts of using this one pattern only. During some parts of the construction process I did find myself thinking I would have preferred to work with the original, vintage pattern, rather than the Reconstructing History incarnation. This was mostly due to the sizing lines all being identical – making it very difficult to follow and apply pattern notches.

The fabric requirements were also a problem area. According to the back sheet of the pattern, the dress required 5yrds 40 inch wide, or 3.5yrds 54 inch wide. But, within the instruction booklet it stated the dress needed 4yrds 40 inch wide, or 2.5yrds 54 inch wide. So which was it? This was only clarified by me physically laying-out all the pattern pieces onto fabric, to then measure both the length and width of the material in order to determine the desired yardage.

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Hiccups and glitches aside, I am pleased with how the completed dress turned out. I used some beautiful reproduction late 1920s/early 1930s fabric from Maltings Fabric – the Hampden. I wrote about a visit I made to Maltings Fabrics in my previous post here. The fabric is a viscose crepe, and has a lovely handle and drape to it. Somehow, the print reminded me almost of a rainbow Dalmatian dog (I know that sounds completely bizarre!)

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In order to accent the design details, I used a plain black viscose crepe for the belt, cuffs and neck frills. My favourite feature of the pattern is the sleeves. The sleeves are full, then where the cuffs are applied there is a series of three tuck pleats. The cuffs also feature an interesting V detail, perfectly art deco!

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As the fabric features beautifully muted pastel shades, I managed to find an original 1930s belt buckle on eBay that was a perfect match! I accessorised the dress with an original 1930s bag I purchased just after Christmas, which still contains its original mirror. I chose white over-the-knee socks which I wore as stockings, a cloche hat I have had for a few years, and Bridgette heels by Hotter which I purchased in the sale a few weeks ago.

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Overall, I am really pleased with the dress, and I am in love with the fabric! As I will be imminently making my wedding dress (which is 1930s), this dress presented a few design details that will definitely put me in good practise for the task ahead!

My conclusion and final thoughts on the pattern

The pattern contained some nice historical information, which added context to the design. The instructions were detailed, and included both text and illustrations, making them easy to follow. The paper the pattern was printed on was of high quality, and I liked that the pattern was printed onto one side of the paper only.

However, with the identical sizing lines, lack of grainlines, even a few typos on the pattern pieces, there were moments when I found the pattern could be more user-friendly. The biggest point for me was however, the fabric requirements confusion. When I am sewing a garment, the last thing I want to do is waste time calculating and figuring out how much fabric I need, when it should be stated clearly on the pattern.

As aforementioned, I was given the opportunity to chose a pattern to review from Reconstructing History, in order to write a full review for publication on Vintage Dancer. Whenever I am given something to review, I always aim to be constructive, and to stay true to my integrity, which I hope I have done so here.

Has anyone else worked with Reconstructing History patterns? What did you think? How did you find them? Let me know in the comments.

Links & Outfit Details

Until next time dears!