Hotter Shoes Style Series – Village Brogues for a 1930s Style

Following on from my 1920s piece with Valetta Heels, my next Style Series post for Hotter Shoes features the Village Brogues in a 1930s styled look.

Whilst heels makes me feel feminine and elegant, flat shoes make me feel like I am capable of anything. Combining elements of classic masculine tones, the Village Brogues by Hotter Shoes are the perfect balance of practicality and style.

For this look, I was inspired by simple classic lines of the later 1930s. I chose to wear an original CC41 skirt (which is of course 1940s. But it certainly has elements of 1930s in its central pleat and straight cut).

I teamed the skirt with an original 1930s jacket – THOSE BUTTONS. I was first drawn to the colour of the jacket – because I love yellow. It’s my absolute favourite colour. But then my eyes absorbed the amazing buttons and I was in love.

As the weather was still a tad chilly when we took these pictures, I decided to team the Village Brogues with a pair of cosy cashmere stockings. I recently discovered a wonderful shop on Etsy, Foot Fetish Socks. These particular stockings are hand cranked on a 1900s machine, from a pattern of around the same era. Lately, I tend to prefer stockings rather than any other type of hosiery; as they work so much better with early 20th century lingerie (which is no surprise, as stockings were the main form of hosiery during that era).

Outfit Details

Whilst I have a few pairs of loafers from Hotter Shoes, these are my first pair of brogues. They are so comfortable, my feet felt protected and cushioned all day long! I can definitely see these being a firm favourite, and the chocolate multi tone blends perfectly with many items in my wardrobe.

To read more about the Village Brogues, and to see some of my historical references when putting together this outfit, see my full article over on the Hotter Shoes Blog; It’s a Shoe Thing here.

To view my previous Style Series posts for Hotter Shoes, check out this category here.

Until next time dears!

 

Reconstructing History Sewing Pattern Review 1304

Today’s post features a dress I made using the Reconstructing History 1304 sewing pattern. Reconstructing History are an American based sewing pattern company, specialising in reproducing historical patterns.

The sheer range of sewing patterns available on the Reconstructing History website is quite astonishing. Reconstructing History offer a broad range of styles, periods and genres, from the fourteenth century right through to the late 1940s. As part of my writing work for Vintage Dancer, I was asked if I would like to review a Reconstructing History pattern of my choosing. Although I was tempted by this Regency Riding outfit, and this 1910s Walking Suit, the pattern that won my heart was the 1304 Day Dress and Jacket from 1933.

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The pattern itself was fairly difficult to work with, due to both the design details of this particular style, and the pattern itself.

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This was my first experience of using a Reconstructing History pattern, so the review contains my experiences and thoughts of using this one pattern only. During some parts of the construction process I did find myself thinking I would have preferred to work with the original, vintage pattern, rather than the Reconstructing History incarnation. This was mostly due to the sizing lines all being identical – making it very difficult to follow and apply pattern notches.

The fabric requirements were also a problem area. According to the back sheet of the pattern, the dress required 5yrds 40 inch wide, or 3.5yrds 54 inch wide. But, within the instruction booklet it stated the dress needed 4yrds 40 inch wide, or 2.5yrds 54 inch wide. So which was it? This was only clarified by me physically laying-out all the pattern pieces onto fabric, to then measure both the length and width of the material in order to determine the desired yardage.

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Hiccups and glitches aside, I am pleased with how the completed dress turned out. I used some beautiful reproduction late 1920s/early 1930s fabric from Maltings Fabric – the Hampden. I wrote about a visit I made to Maltings Fabrics in my previous post here. The fabric is a viscose crepe, and has a lovely handle and drape to it. Somehow, the print reminded me almost of a rainbow Dalmatian dog (I know that sounds completely bizarre!)

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In order to accent the design details, I used a plain black viscose crepe for the belt, cuffs and neck frills. My favourite feature of the pattern is the sleeves. The sleeves are full, then where the cuffs are applied there is a series of three tuck pleats. The cuffs also feature an interesting V detail, perfectly art deco!

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As the fabric features beautifully muted pastel shades, I managed to find an original 1930s belt buckle on eBay that was a perfect match! I accessorised the dress with an original 1930s bag I purchased just after Christmas, which still contains its original mirror. I chose white over-the-knee socks which I wore as stockings, a cloche hat I have had for a few years, and Bridgette heels by Hotter which I purchased in the sale a few weeks ago.

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Overall, I am really pleased with the dress, and I am in love with the fabric! As I will be imminently making my wedding dress (which is 1930s), this dress presented a few design details that will definitely put me in good practise for the task ahead!

My conclusion and final thoughts on the pattern

The pattern contained some nice historical information, which added context to the design. The instructions were detailed, and included both text and illustrations, making them easy to follow. The paper the pattern was printed on was of high quality, and I liked that the pattern was printed onto one side of the paper only.

However, with the identical sizing lines, lack of grainlines, even a few typos on the pattern pieces, there were moments when I found the pattern could be more user-friendly. The biggest point for me was however, the fabric requirements confusion. When I am sewing a garment, the last thing I want to do is waste time calculating and figuring out how much fabric I need, when it should be stated clearly on the pattern.

As aforementioned, I was given the opportunity to chose a pattern to review from Reconstructing History, in order to write a full review for publication on Vintage Dancer. Whenever I am given something to review, I always aim to be constructive, and to stay true to my integrity, which I hope I have done so here.

Has anyone else worked with Reconstructing History patterns? What did you think? How did you find them? Let me know in the comments.

Links & Outfit Details

Until next time dears!